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BALLS After Dark.88 It's not brain surgery

Posted April 21 into Music by beeso

In which Beeso and the Doc review classic Rocket Science, new Goldfrapp and Black Joe Lewis & the Honeybears, and get into how Oils ain't oils, politics isn't worth a half eaten bag of chips, vale John Clarke, things that are about 100 metres, Daggumentaries, farnarkling, Goldeneyeing, homeopathy, Beats Mode, spaced jams, the official rapper of white thinkpiece writers on twitter, comeback acts, colour and movement and stupidity. Next week: Spoon, Damien Cowell's Disco Machine and mid-'90s Dave Graney and the Coral Snakes. This, next and last week's albums are on our Spotify playlist (note to self: it's your last week to go back and listen to last week's albums) with our faves of 2017 repping on the After Dark Mixtape.

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BALLS After Dark.87 Everything new is old again

Posted April 12 into Music by beeso

The Battle Of The 'The' Bands (c. 2002), having a stadium rock attitude on a pub rock budget, writing for clubs, dissecting the Splendour lineup and designing festivals for washed-up Gen X parents. This week we review new albums by Satan Takes A Holiday and Pulled Apart By Horses and a 2001 classic by Groove Armada. Next week: Goldfrapp, Black Joe Lewis & the Honeybears and Contact High by Rocket Science (2001). This, last and next week's albums are all on our Spotify playlist.

You can subscribe on your podast player of choice or listen below

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BALLS After Dark.85 Genre be good

Posted March 22 into Music by beeso

In which Beeso and the Doc discuss why they even have a music podcast, is [genre] dead, the beauty of being Beeso, doing all of the things, making movies, incidental things are incidental, Mashed Banana off your 'nana, action aplenty at the Mr Whippy Grand Prix, double (J) edged swords, unexpected comebacks, no more pop culture for you, contractually obliged mentions of our new podcast feeds, how Discover Weekly's magic algorithm works, music-based social siloing, Jake Hole and the children are our future. This week we reviewed new albums from All Them Witches and Crystal Fairy, with Beeso nominating Decoder Ring's '02 debut as his classic. Next week: Tosca, The Shins and Turbonegro's own After After Dark from 2012. This, next and last week's albums are all on the BALLS After Dark Spotify playlist. Check out our favourite tracks of the year so far on the After Dark Mixtape for 2017. Please subscribe and review us on the pod platform of your choice as we got kicked off iTunes for swearing too much and had to start again. You can listen here as well.

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Streaming music and rebirth of the album

Posted December 23, 2016 into Music by John Birmingham

From the New York Times...

John Seabrook’s book “The Song Machine: Inside the Hit Factory” delved into the 21st-century pop that resulted from concentrating on single tracks: We got songs that were fabricated as masterpieces of instant gratification, full of technological sizzle and concocted by a surprisingly small clique of professionals for a highly competitive A-list of pop stars, who added some small personal garnish to the committee efforts. The same people write for (and with) Taylor Swift, the Weeknd and Adele; they knew the secrets of radio play, which is still seen as the best guarantee of mass success despite the occasional online breakout.

Streaming, instead, encourages curiosity. With streaming rather than downloads, access replaces ownership and the commitment is of time, not money. That’s still significant, but it doesn’t feel so irrevocable. Where downloads and playlists favored the lone song, streaming gives the artist and the album a fighting chance again. Anyone interested in a particular artist, from die-hard fans to novelty seekers, can listen to a whole album repeatedly — not just song samples, not just YouTube choices — and let subtler material sink in. Musicians don’t need to think so exclusively about what sounds, beats and structures the radio gatekeepers will allow; they can get poetic, political, sonically weird or all of the above. While big and glossy still works, it’s just possible that odd and heartfelt will, too.

Couldn't agree more with the argument that 'streaming encourages curiosity.' After years, probably decades of stagnating taste, I've got dozens of new artists and groups in my playlists now. And sure, they tend to be alternative rock acts, or hip hop, which I've always listened to. But I would never have found them in the download era. Because after a while you just stop trying. But with streaming you don't have to try. The platform serves it all up for you, no matter which service you use.

One interesting factoid from the article. It takes 1500 plays of an album to match the income from one paid download. That looks bad, but then I was never going to download any of the albums I've been listening to since getting Apple Music, and Rdio before that. And with some albums I would come close to 1500 plays after a couple of years.

3 Responses to ‘Streaming music and rebirth of the album’

Dave W has opinions thus...

Posted December 23, 2016
I suppose I'm just getting into it, but streaming has gotten me back into a few old favorites, for exactly those reasons. Very happy to be rediscovering faith no more...

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mick g has opinions thus...

Posted December 23, 2016
Exactly. I'm listening to music on Spotify that I'd never buy, but if I and a few million others are doing the same worldwide then surely that benefits artists who would never be making money from my buying their music in traditional formats.
Im hoping it also leads to the downfall of miserable human beings like Chris Brown (the r&b douchebag,not the tv vet). Fingers crossed.

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Helical mutters...

Posted December 24, 2016
I don't like streaming for multiple reasons.
I spend a large portion of my time away from mobile reception (plus I have limited data) so I don't want to be tethered to a data connection. My music lives on my mp3 player's 120GB hard drive.
Streaming does not help newer bands or niche bands as they need such huge numbers to make any money. A local and successful progressive metal band, that tours internationally, showed their income off Spotify last year, a handful of change, enough to buy a cheeseburger.
Finally, I want to still be able to listen to my music when the zombie apocalypse comes. So while you lot are searching for an internet connection in between getting your brains eaten, I'll be out bush headbanging away.

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BALLS After Dark.65 ...Nice

Posted October 7, 2016 into Music by beeso

Separating music from its time and place (and why it's futile), share house stories, Melbourne hipsters, rubber masks, classic Black Keys and new Rival Sons and BadBadNotGood.

You can get all the tunes at the Spotify playlist and keep an eye on the favourite track for the year on The Mixtape. Get the episode here

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BALLS After Dark.55 Entreduce Yourself

Posted July 22, 2016 into Music by beeso

The Doc and Beeso review the new DJ Shadow, wondering if the Doc's high school knob twiddling really gives him the insight needed for the new album, before Beeso can't make up his mind (again!) about Band of Skulls. We also talk about the slowly growing #BallsPodcastMixtape where we are collecting our favourite songs of the year. Then we agree on Doc's classic from The Stalkers. You can also hear the albums for this week and next on The Balls Podcast Playlist.

Next week we review the new sparkly favourite thing by The Avalanches and also Yung's new record as well as the CLASSIC Pornland album In the Nude.

2 Responses to ‘BALLS After Dark.55 Entreduce Yourself’

Therbs ducks in to say...

Posted July 22, 2016
Avalanches? No! Anything associated with DJ Dexter, even though he no longer is with them, gets the big brush off.

dweeze mumbles...

Posted July 22, 2016
I had to use BrushOff in my ears after listening to new Avalanches muck. How disappointing that a once fine band took 15 years to produce insipid pop goo.

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