Posted June 1, 2013
into Awesome by John Birmingham
What were you doing at the age of fourteen? Anything awesome? Probably not. I think I'd written a couple of chapters of a woeful Stephen King style horror novel. So fucking woeful I donated them to the State Library of New South Wales as an encouragement to any would-be writer who came after me.
"Holy crap. This guy was arse. If he can make a living off his keyboard..."
This kid, from Natick, Massachusetts, would probably bury da King if he turned his hand to writing. Luckily for me, he hasn't. He's a photogapher. A fourteen year old photographer, specialising in surreal self portraits.
Posted May 28, 2013
into Awesome by John Birmingham
Slate has a great, great interactive doo-dad letting you waste a few minutes racing famous space ship against each other:
It’s a little odd that a genre about science, the field of precision, can be so imprecise. The truth is that spaceships almost always fly at the speed of the plot. But, for those who refuse to accept that, this is a definitive guide to ship speeds, based on highly scientific computer simulations and highly unscientific speculation.
Posted May 27, 2013
into Awesome by John Birmingham
Joss Whedon was invited back to his old university to give the Commencement Address. It is, naturally, lathered in awesome sauce. But it also gives us some insight into his story telling mojo. When he says "identity is something that you are constantly earning. It is not just who you are. It is a process that you must be active in," he could be talking about any number of the characters from Buffy, Angel, Doll House, The Avengers or Firefly.
I actually sat through many graduations. When I was sitting where you guys were sitting, the speaker was Bill Cosby—funny man Bill Cosby, he was very funny and he was very brief, and I thanked him for that. He gave us a message that I really took with me, that a lot of us never forgot, about changing the world. He said, “you’re not going to change the world, so don’t try.”
That was it. He didn’t buy that back at all. And then he complained about buying his daughter a car and we left. I remember thinking, “I think I can do better. I think I can be a little more inspiring than that.”
And so, what I’d like to say to all of you is that you are all going to die.
This is a good commencement speech because I’m figuring it’s only going to go up from here. It can only get better, so this is good. It can’t get more depressing. You have, in fact, already begun to die. You look great. Don’t get me wrong. And you are youth and beauty. You are at the physical peak. Your bodies have just gotten off the ski slope on the peak of growth, potential, and now comes the black diamond mogul run to the grave. And the weird thing is your body wants to die. On a cellular level, that’s what it wants. And that’s probably not what you want.
I’m confronted by a great deal of grand and worthy ambition from this student body. You want to be a politician, a social worker. You want to be an artist. Your body’s ambition: Mulch. Your body wants to make some babies and then go in the ground and fertilize things. That’s it. And that seems like a bit of a contradiction. It doesn’t seem fair. For one thing, we’re telling you, “Go out into the world!” exactly when your body is saying, “Hey, let’s bring it down a notch. Let’s take it down.”
And it is a contradiction. And that’s actually what I’d like to talk to you about. The contradiction between your body and your mind, between your mind and itself. I believe these contradictions and these tensions are the greatest gift that we have, and hopefully, I can explain that.
But first let me say when I talk about contradiction, I’m talking about something that is a constant in your life and in your identity, not just in your body but in your own mind, in ways that you may recognize or you may not.
Let’s just say, hypothetically, that two roads diverged in the woods and you took the path less traveled. Part of you is just going, “Look at that path! Over there, it’s much better. Everyone is traveling on it. It’s paved, and there’s like a Starbucks every 40 yards. This is wrong. In this one, there’s nettles and Robert Frost’s body—somebody should have moved that—it just feels weird. And not only does your mind tell you this, it is on that other path, it is behaving as though it is on that path. It is doing the opposite of what you are doing. And for your entire life, you will be doing, on some level, the opposite—not only of what you were doing—but of what you think you are. That is just going to go on. What you do with all your heart, you will do the opposite of. And what you need to do is to honor that, to understand it, to unearth it, to listen to this other voice.
You have, which is a rare thing, that ability and the responsibility to listen to the dissent in yourself, to at least give it the floor, because it is the key—not only to consciousness-but to real growth. To accept duality is to earn identity. And identity is something that you are constantly earning. It is not just who you are. It is a process that you must be active in. It’s not just parroting your parents or the thoughts of your learned teachers. It is now more than ever about understanding yourself so you can become yourself.
I talk about this contradiction, and this tension, there’s two things I want to say about it. One, it never goes away. And if you think that achieving something, if you think that solving something, if you think a career or a relationship will quiet that voice, it will not. If you think that happiness means total peace, you will never be happy. Peace comes from the acceptance of the part of you that can never be at peace. It will always be in conflict. If you accept that, everything gets a lot better.
The other reason is because you are establishing your identities and your beliefs, you need to argue yourself down, because somebody else will. Somebody’s going to come at you, and whatever your belief, your idea, your ambition, somebody’s going to question it. And unless you have first, you won’t be able to answer back, you won’t be able to hold your ground. You don’t believe me, try taking a stand on just one leg. You need to see both sides.
Now, if you do, does this mean that you get to change the world? Well, I’m getting to that, so just chill. All I can say to this point is I think we can all agree that the world could use a little changing. I don’t know if your parents have explained this to you about the world but… we broke it. I’m sorry… it’s a bit of a mess. It’s a hard time to go out in there. And it’s a weird time in our country.
The thing about our country is—oh, it’s nice, I like it—it’s not long on contradiction or ambiguity. It’s not long on these kinds of things. It likes things to be simple, it likes things to be pigeonholed—good or bad, black or white, blue or red. And we’re not that. We’re more interesting than that. And the way that we go into the world understanding is to have these contradictions in ourselves and see them in other people and not judge them for it. To know that, in a world where debate has kind of fallen away and given way to shouting and bullying, that the best thing is not just the idea of honest debate, the best thing is losing the debate, because it means that you learn something and you changed your position. The only way really to understand your position and its worth is to understand the opposite. That doesn’t mean the crazy guy on the radio who is spewing hate, it means the decent human truths of all the people who feel the need to listen to that guy. You are connected to those people. They’re connected to him. You can’t get away from it.
This connection is part of contradiction. It is the tension I was talking about. This tension isn’t about two opposite points, it’s about the line in between them, and it’s being stretched by them. We need to acknowledge and honor that tension, and the connection that that tension is a part of. Our connection not just to the people we love, but to everybody, including people we can’t stand and wish weren’t around. The connection we have is part of what defines us on such a basic level.
Freedom is not freedom from connection. Serial killing is freedom from connection. Certain large investment firms have established freedom from connection. But we as people never do, and we’re not supposed to, and we shouldn’t want to. We are individuals, obviously, but we are more than that.
So here’s the thing about changing the world. It turns out that’s not even the question, because you don’t have a choice. You are going to change the world, because that is actually what the world is. You do not pass through this life, it passes through you. You experience it, you interpret it, you act, and then it is different. That happens constantly. You are changing the world. You always have been, and now, it becomes real on a level that it hasn’t been before.
And that’s why I’ve been talking only about you and the tension within you, because you are—not in a clichéd sense, but in a weirdly literal sense—the future. After you walk up here and walk back down, you’re going to be the present. You will be the broken world and the act of changing it, in a way that you haven’t been before. You will be so many things, and the one thing that I wish I’d known and want to say is, don’t just been yourself. Be all of yourselves. Don’t just live. Be that other thing connected to death. Be life. Live all of your life. Understand it, see it, appreciate it. And have fun.
25 Responses to ‘You are all going to die - Joss Whedon’
Posted May 14, 2013
into Awesome by John Birmingham
Steve McQueen leading a rag tag band of Sherman tanks, forging an alliance of convenience with, hmm, lets see, Max von Sydow, who's in charge of a beaten but still valiant platoon of old school Wehrmacht, standing together to defend an Austrian castle full of quibbling French diplomats and their sexy sexy girlfriends from the 17th Waffen-SS Panzer Grenadier Division.
The most extraordinary things about this truly incredible tale of World War II are that it hasn’t been told before in English, and that it hasn’t already been made into a blockbuster Hollywood movie. Here are the basic facts: on 5 May 1945—five days after Hitler’s suicide—three Sherman tanks from the 23rd Tank Battalion of the U.S. 12th Armored Division under the command of Capt. John C. ‘Jack’ Lee Jr., liberated an Austrian castle called Schloss Itter in the Tyrol, a special prison that housed various French VIPs, including the ex-prime ministers Paul Reynaud and Eduard Daladier and former commanders-in-chief Generals Maxime Weygand and Paul Gamelin, amongst several others. Yet when the units of the veteran 17th Waffen-SS Panzer Grenadier Division arrived to recapture the castle and execute the prisoners, Lee’s beleaguered and outnumbered men were joined by anti-Nazi German soldiers of the Wehrmacht, as well as some of the extremely feisty wives and girlfriends of the (needless-to-say hitherto bickering) French VIPs, and together they fought off some of the best crack troops of the Third Reich. Steven Spielberg, how did you miss this story?
25 Responses to ‘How was this never made into an awesome war movie?’
This was one of the theories of Heere be Monsters, that zombie/First Fleet mash up we wrote for charity a couple of years ago. (Not a royal we, either. For Burger latecomers, I crowd sourced parts of that story. It was a cool experiment that worked out well. I should run the story here one day).
I didn't foreground the idea, but if you look into the subtext of Heere Be Monsters you will see that the sailors and Marines and even the convicts of 1788 were much better able to cope with the surprising horror of encountering the undead. They were not far removed from the Middle Ages and the idea of the unseen world, of monsters and fallen Angels was more than just the stuff of fairytales to them. The unseen world and the world of real things were as one. That's why, having absorbed the initial shock of sailing through a time rift into a dead city, populated by the risen dead, they were able to respond as they did. They saw themselves doing the Lord's work.
That particular group also had the advantage of being adventurers. They sailed into the unknown and they did so anticipating that they would encounter danger and horror more often than they would ease and good fortune. The fire discipline of the Marines, the unexceptional nature of personal violence, even the Brown Bess musket with its long, wicked bayonet all seem purpose designed for coping with zombies.
It's given me to wonder over the years, if you are going to put an army into the field against the massed ranks of the walking dead, which army do you want out there? There's the great scene in World War Z where the modern, networked high-tech US Army fails epically against the horde shambling out of New York. And then later on the first victories against Zed are won by formations that much more closely resemble the army of George Washington than any modern analog.
Of course the further back you go, the more you give up the advantages of certain war fighting technologies such as gunpowder. Would chain mail, a shield and a sword be a better choice than no armor, but a staunch line of redcoats ramming ball and powder into their flint locks? If it worked in Zulu, why not on Zed?
I'm attracted to the idea that a Greek phalanx or a Roman legion could be drilled into the perfect zombie killing machine, but then they did so much of their fighting within arms length of the enemy that you have to imagine the attrition rate would be too high.
A balance then between orderly ranged combat, the protection of armor, and the sort of discipline required to maintain tactical cohesion against the Horde. Perhaps one of the better medieval European armies from the era when armored knights gave way to armed riflemen.
Or would it simply be a matter of retraining and retooling a modern military along the lines laid out in World War Z? As a baseline for reference I'm thinking of Brooksian slow-zombies. Viral transmission.
93 Responses to ‘Which old time army would best confront the Zombie Horde’