I won't get to see this one big screen because of my deadline, but I had been looking forward to Jason's take. His review, like the film, does not disappoint.
Right up front I’d like to say that I’m not a big war movie guy. But if I do go to one, it needs to be historically and physically accurate. Historical accuracy is obvious- uniforms, gear, and scenery needs to be right. But what do I mean by physical accuracy? Allow me to explain. I don’t want to see people acting like clowns when they are supposed to be shot. By the same token, I do not want to see them take round after round and keep functioning.
Posted September 4
into Movies by John Birmingham
Great profile of Linda Hamilton, aka Sarah Connor from the best of the Terminator movies. She’s back with James Cameron and Arnie for the new one. There's some fascinating stuff about how she turned some pretty shitty moments of her personal life into the completely remade Sarah of the second movie:
What she hadn’t dreamed of was a sequel. Years later, when Cameron contacted her out of the blue to see if she’d commit to “Terminator 2,” Hamilton had only one request: Instead of playing the damsel in distress again, she wanted Sarah to go crazy. “I wrote it to the hilt based on her directive,” Cameron told me.
This version of Sarah Connor, locked away in a psychiatric institution, had war in her eyes and a body trained like a weapon. In order to play her, Hamilton would have to get into staggeringly good shape, since Sarah’s robo-apocalypse training included pull-ups and, eventually, bicep-straining shotgun pumps. There was just one thing: “I was six months pregnant when Jim came to me,” Hamilton said, “and I carry my babies big...
Her then husband left her shortly after the birth of their child. She channeled the rage and fear from that into her role.
The Washington Posthas a great 'condensed' time line of all the key events leading up to Avengers: Endgame. If you've lost track or missed a few episodes this will save you dozens of hours of catch up viewing. Fair warning, it might also cause you to question why you spent so much of your life invested in this crazy shit.
I dips me lid to Havoc for bringing this to my atention over on the Book of Face. DANGER CLOSE, a retelling of the Battle of Long Tan. Not sure how I missed it before. I cant tell if the script is any good from this clip (although I'm amused by the need for subtitles.) I think the actors and producers have done well to capture the character of the soldiers from that era. They look normal, eve a bit vintage, not like the muscle mountains of the present day.
I will be interested to see whether the Vietnamese get to be three dimensional characters or simply bullet fodder. I thought the Mel Gibson film (We Were Soliders Once, And Young) did reasonably well for a Hollywood effort on that front, even if the humanisation of the Other was all invested in one character.
I took in this film on the weekend with Jane. It was good. That's really all the review you need, but this being the internet, fapping wankbadgers require I do more.
I'll fess up that I didn't know the Captain Marvel character before watching this film. I did read a long, explanatory thread on the Twitz, by the author Wesley Chu as I recall, who laid out the entire fascinating history while standing in a car park after a date.
His date abandoned him, but at least I got a great thread to read. Long story short, Captain Marvel go caught up in an IP dispute between US and UK comic publishers who finally swapped the character's gender and name to avoid a copyright suit.
Perfect. I love it.
Having no investment the canon I came at the movie without preconceptions. Honestly, I found the first Act a little confusing. But it quickly became obvious why. Brie Larson's character Carol Danvers is still discovering her own history and her imperfect memory is far from a reliable narrator. If you find yourself thinking, "What the fuck is going on here?" it's because the writers and producers WANT you to be thinking exactly that.
For fans of the greater Marvel Cinematic Universe, the main narrative sequence predates the events of last year's Infinity War by about twenty years. Larson's character, who undergoes a number of name changes as she recovers her memories and personal history (but is never once called Captain Marvel) arrives on Earth in the 1990s, literally dropping into a Blockbuster Video store. Even back then, it's looking dilapidated and I did enjoy this piece of proactive retrofuturist nostalgia.
Speaking of which, Agents Coulson and Fury are much younger and largely unknown to each other. They haven't yet gone full to Men in Black mode, and Danver's arrival is a large part of the reason why they do, and why Fury eventually sets up the Avengers Initiative.
You dont need to know the plot. There's an alien war, it spill's over here. A lot of preconceptions are set up and turned over.
My bottom line is I enjoyed it hugely. Larson really makes the story and character arc work. By the end of the movie she is effectively Superman with a double X chromosome. Seriously, she would kick the Man of Steel's shiny ass. She'll be a great addition to the roster when the Avengers return.