I've been following two new shows on Netflix the last couple of weeks. Travelers and Van Helsing. Travelers is the smarter of the two, with a stronger cast and deeper script. It also seems to have more money, given it's clear advantage in production values. But I still enjoy both.
Spoilers follow. (Although mostly conceptual rather than narrative).
Travelers is a simple premise, a reworked cliche of people coming back from the future to prevent bad shit happening. That could be tedious in unskilled hands but it pays off with interest here if you're willing to ignore a couple of difficulties.
The tweak in Travelers is the way they move backwards. Unlike Smith and Cady they don't just conveniently jump into an era. Instead only the conscious mind can travel, and it can only insert itself into the mind/body of another human being, completely overwriting the personality, memories, and life of the previous occupant. For this reason the travelers take over the bodies of people about to die.
The pilot provides a series of WTF mystery moments as this process repeats itself again and again until you figure out what's happening. Things have gone horribly wrong in the far future and it seems all of the dwindling resources of mankind have been devoted to the Traveler program, to sending not just individuals back in time, but whole teams to carry out missions which will change the future and presumably Grandfather Paradox away all the bad mojo.
It could just devolve into a mission of the week series, but it doesn't. One of things that's hooked me is the prosaic difficulties the travelers have taking over the lives of people from hundreds of years in their past. Much of the drama comes not from the purely kinetic adventures, but from the lies they're forced to live and the compromises demanded of them.
It's great. Give it a look.
Van Helsing is different again. Based on a graphic novel it's more gloriously B-Movie inspired, although not as batshit B-grade as, say, Z Nation. A volcanic eruption which blots out the sun allows vampires to come out of the shadows and establish themselves at the top of the food chain. This could set up a standard Walking Dead rip off, except for the eponymous female lead: Vanessa Helsing, a woman bitten and killed in the early moments of the vampire uprising, but one who doesn't turn because of a pre-existing blood disease. Instead she becomes a sort of Buffy/Typhoid Mary imbued with vampire-killing physical skills and, more importantly, blood which is toxic to the biters. It turns them back into humans.
The first couple of eps are a bit wobbly, the acting a little wooden and even splintery, but by about six episodes in, the writers and actors have settled into their roles and it all accelerates nicely. It helps to remember that the source material is a graphic novel and that you should suspend your disbelief just that little bit harder.
But again, it's great escapist fun and well worth bingeing a couple of eps to get into.